Review: Sheck Wes’ ‘Mudboy’ is not as infectious as breakout hit ‘Mo Bamba’
Photo courtesy of Pitchfork
Story by Isong Maro / Contributing Writer
G.O.O.D Music (Kanye West) and Cactus Jack (Travis Scott) label signee Sheck Wes’ debut project...
Review: Big Thief singer Adrianne Lenker enchants with restrained sound on ‘Abysskiss’
Photo courtesy of American Songwriter
Story by Hayden Goodridge / Contributing Writer
Since the advent of digital recording, the music charts have encouraged the idea of filling...
Review: All Them Witches encapsulates band’s capabilities as a whole on ‘ATW’
Photo courtesy of All Them Witches Bandcamp
Story by Max Leach / Contributing Writer
In a generation defined by bumping 808s and bass drops, one can...
Review: Pinegrove re-emerges from controversy with ‘Skylight’
Photo courtesy of Pinegrove's Bandcamp
Story by Hayden Goodridge / Contributing Writer
The opening lines of “Skylight” resemble a new mission statement for Pinegrove’s lead...
Review: Portland-based Ezza Rose demands social justice on ‘No Means No’
Photo courtesy of BUST Magazine
Story by Max Leach / Contributing Writer
Ezza Rose doesn’t want to tell you that no means no because she knows...
Review: Prince’s ‘Piano and a Microphone 1983’ is threadbare but powerful
Photo courtesy of The Vinyl Factory
Story by Robert Dial / Contributing Writer
This Friday, “Piano and a Microphone 1983,” the first posthumous Prince album, finally saw...
